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  • Prime Minister Modi should move RBI HQ to Delhi: Ashok Chavan

    “RBI Governor Urjit Patel’s resignation is a clear indicator of the government’s constant interference with the RBI. Prime Minister Modi should move the RBI headquarters to Delhi because no RBI Governor is allowed do their job independently in Mumbai,” said Maharashtra Pradesh Congress Committee President Ashok Chavan, blaming efforts to reduce the RBI’s autonomy for the resignation of Governor Urjit Patel.

    Speaking in Mumbai, Chavan said that the RBI was one of the pillars of India’s financial stability and had a large role to play in steering the country’s economy.

    “The RBI has always remained free from political interference. Any attempts to reduce its independence are unconstitutional and should be condemned,” he said.

    Attacking the government for trying to “raid the RBI’s reserves” to fund failed flagship projects, Chavan said that India had witnessed the worst possible forms of fiscal mismanagement in the past four years.

    “India has witnessed the worst fiscal mismanagement in the past four years. This government does not know how to raise resources – nor does it know how to allocate resources,” said Chavan.

    Responding to recent efforts at changing the nature of the RBI board, Chavan said that this was a direct attempt to influence the ideology of the central bank.

    “The BJP is putting RSS workers as board members of the RBI. From education to banking, they have tried to infiltrate all the premier institutions of this country. This is why honest, upright officers have been forced to resign,” said Chavan.

  • Ashok Chavan Byte During Jan Sangharsh Yatra Phase 4 – Western Vidarbha

    Fuel Price Rise

    This government decides the prices of petrol and diesel based on elections. Once the results are announced, they might raise prices again out of anger – because the BJP’s defeat in all five states is certain. This government must stop taking decisions based on elections.

    On Sanjay Raut’s Statement On Criminals in Parliament

    Better late than never. Unfortunately, despite being fully aware of all these issues, the Shiv Sena supports the BJP government. In fact, Nitin Gadkari has said that the BJP is a party that makes Valmikis out of Valyas. Therefore, the entry of criminals into the BJP is going to keep continuing.

    On Ramdas Athavale Disturbance

    I do not support the recent slapping (of Ramdas Athavale). I do not know which party this karyakarta belonged to. However, we must understand that people are getting angrier by the day. Earlier, there was an attempt to tear Ramdas Athavale’s clothes. The question must be asked – is this a result of public anger against the Modi government’s policies?

    On Dhangar Leader Mahadev Jankar’s Statement

    Jankar seems to have forgotten that he became a minister because of the Dhangar reservation issue. This is why he is pursuing selfish interests instead of looking after the welfare of the Dhangar community. Jankar’s statement proves that the Dhangar reservation issue has been sidelined under this BJP government.

    On Electricity Bills in Gujarati

    Is there an attempt to make Gujarati the official language of Maharashtra?

    On Housing Minister Prakash Mehta

    This (Sachin Pawar’s actions) is not possible without government support. If there is corruption, if a crime has been committed, the minister cannot only blame the PA.

  • Filmmaker Ardeshir Irani was Born On This Day

    Filmmaker Ardeshir Irani was #BornOnThisDay. Best known for making India’s first talkie Alam Ara (1931), Irani is credited with a substantial number of film productions, both silent and sound films in various languages. Founder of Imperial Films, he also bought rights to Cine colour process, set up a colour laboratory and produced India’s first indigenously processed colour film, Kisan Kanya (1937).

    Khan Bahadur Ardeshir Irani (5 December 1886 – 14 October 1969);  popularly known as Ardeshir Irani, was a writer, director, producer, actor, film distributor, film showman and cinematographer in the silent and sound eras of early Indian cinema. He was renowned for making films in Hindi, Telugu, English, German, Indonesian, Persian, Urdu and Tamil. He was a successful entrepreneur who owned film theatres, a gramophone agency, and a car agency.

    Life and career

    Ardeshir Irani was born into a Zoroastrian family on 5 December 1886 in Poona, Bombay Presidency. His parents had migrated from the city of Ardabil in Iran in 1879, through the land route via Baluchistan and Sindh. In 1905, Irani became the Indian representative of Universal Studios and he ran Alexander Cinema in Bombay with Abdulally Esoofally for over forty years. It was at Alexander Cinema that Ardeshir Irani learnt the rules of the art of filmmaking and became fascinated by the medium. In 1917, Irani entered the field of film production and produced his first silent feature film, Nala Dayamanti, which released in 1920.

    In 1922, Irani joined Bhogilal Dave, the former manager of Dadasaheb Phalke’s Hindustan Films, and established Star Films. Their first silent feature film, Veer Abhimanyu was released in 1922 and starred Fatima Begum in the female lead. Dave, a graduate of the New York School of Photography, shot the films while Irani directed and produced them. Star Films produced seventeen films before Irani and Dave dissolved the partnership.

    Ardeshir Irani on the sets of Alam Ara. Circa1931

    In 1924, Irani founded Majestic Films, joined by two talented youngsters, B.P. Mishra and Naval Gandhi. At this establishment, Irani produced the films and either Mishra or Gandhi directed the films. Despite its success, fifteen films later, Majestic Films closed, giving way to the equally short-lived Royal Art Studios which had exactly the same life-span as the earlier two, however, it became famous for a certain type of romantic films. Irani improved on it, using new talent to great effect.

    In 1925, Irani founded Imperial Films, where he made sixty-two films. By the age of forty, Irani was an established filmmaker of Indian cinema. Ardeshir Irani became the father of talkie films with the release of his sound feature film, Alam Ara on 14 March 1931. Many of the films he produced were later made into talkie films with the same cast and crew. He is also accredited with making the first Indian English feature film, Noor Jahan (1931). He completed his hat-trick of earning fame when he made the first colour feature film of India, Kisan Kanya (1937). His contribution does not end only with giving voice to the silent cinema and colour to black-and-white films. He gave a new courageous outlook to filmmaking in India and provided such a wide range of choice for stories in films that till date, there are films being made which have a theme relating to one of the one hundred fifty-eight films made by Irani.

    In 1933, Irani produced and directed the first Persian talkie, Dokhtar-e-Lor. The script was written by Abdolhossein Sepanta who also acted in the film along with members of the local Parsi community.[2][3]

    Irani’s Imperial Films introduced a number of new actors to Indian Cinema, including Prithviraj Kapoor and Mehboob Khan. He also interfered with the medium. He produced Kalidas in Tamil on the sets of Alam Ara, with songs in Telugu. Also, Irani visited London, England for fifteen days to study sound recording and recorded the sounds of Alam Ara on the basis of this knowledge. In the process, he created a whole new trend unknowingly. In those days, outdoor shootings were shot in sunlight with the help of reflectors. However, the outdoor undesirable sounds were disturbing him so greatly that he shot the entire sequence in the studio under heavy lights. Thus, he began the trend of shooting under artificial light.

    Irani made one hundred fifty-eight films in a long and illustrious career of twenty-five years, between the First and Second World Wars. He made his last film, Pujari, in 1945. Irani was not compelled to live like Dadasaheb Phalke for he realised that the war was a time not suitable for film business and therefore he suspended his film business during that time. He died on 14 October 1969 at the age of eighty-two, in Mumbai, Maharashtra.

    Filmography

    As director

    • 1922 : Veer Abhimanyu– Silent
    • 1924: Vir Durgadhar – Silent
    • 1924: Paap No Fej – Silent
    • 1924: Bombay Ni Sethani/Call of Satan – Silent
    • 1924: Shahjehan – Silent
    • 1925: Narsingh Dakoo – Silent
    • 1925: Navalsha Hirji – Silent
    • 1927: Wild Cat of Bombay – Silent
    • 1931: Alam Ara – First Indian Talkie
    • 1937: “carlos”

    As producer

    As actor

  • Simmba Trailer : Ranveer Singh and Rohit Shetty Promises A Package Full of Entertainment

    The trailer of Simmba starring the dynamite Ranveer Singh has just dropped and it definately promises to be a package full of entertainment.

    The film by the looks of the trailer is loaded with director Rohit Shetty’s usual tropes of massy dialogues, crazy action sequences, Goan locations and Yes ! The original Bajirao SIngham aka Ajay Devgn has got a cameo in the film.

    The film also stars Sara Ali Khan who is yet to make her debut. Her debut film ‘Kedarnath’ is set to release on 7th December 2018.

    https://www.instagram.com/p/Bq6pymeBOGh/

    https://www.instagram.com/p/Bq6ODQwH5r-/

    Plot : 

    Ranveer Singh plays Sangram Bhalerao, a corrupt police officer, poles apart from Bajirao Singham. He says,” Main policewala bana paisa kamane ko, robin hood banke dusroki madat karne ko nahi.”

    Bhalerao turns responsible after the girl who he treats as his sister is brutally raped dies. Then begins his journey to seek justice for her by bringing down the rapists who have big political connections.

    Simmba is Ranveer Singh’s most commercial role yet. The film is an official Telugu remake of Temper which released in 2015.

    The film also stars Marathi star Siddharth Jadhav, Aushutosh Rana and Sonu Sood. The duo Sajid-Farhad have pened the dialogues.

    The film is produced by Rohit Shetty Picturez and Karan Johar’s Dharma Productions.

    Simmba is all set to hit the cinema halls on 28 December 2018.

    Watch Trailer : 

    Also Read : 

    Kedarnath Teaser : Love In Turmoil When Nature Wrecks Havoc

    Zero Trailer : Love, Betrayal And SRK’s Quest For New Age Cinema

     

  • Actress and filmmaker Konkona Sen Sharma was Born On This Day

    Actress and filmmaker Konkona Sen Sharma was #BornOnThisDay. Noted for her graceful and effortless performances, Sen has also directed ‘A Death In The Gunj’ (2017), which received widespread acclaim.

    Konkona Sen Sharma (born 3 December 1979) is an Indian actress, writer, and director. She has received two National Film Awards and four Filmfare Awards. The daughter of filmmaker–actress Aparna Sen, Konkona appears primarily in Indian arthouse and independent films, and her achievements in the genre have established her as one of the leading actresses of contemporary parallel cinema.

    Making her debut as a child artist in the film Indira (1983), Sharma debuted as an adult in the Bengali thriller Ek Je Aachhe Kanya (2000). She first gained attention with the English-language film Mr. and Mrs. Iyer (2002), which was directed by her mother, and received the National Film Award for Best Actress for her performance in the film. Her appearance in the drama Page 3 (2005) got her wider recognition from audiences, and she has since starred in a number of films, most of which have garnered her critical praise rather than commercial success. She won two consecutive Filmfare Best Supporting Actress Awards for her performances in Omkara (2006) and Life in a… Metro (2007), respectively. Her performance in the former won her a second National Award under the Best Supporting Actress category. She was the first recipient of the Best Actress award at the Filmfare Awards East for her work in the Bengali film Goynar Baksho (2014). In 2017, her directorial debut film A Death in the Gunj was released and she won the Filmfare Award for Best Debut Director. She also starred in the critically acclaimed Lipstick Under My Burkha in the same year which won her numerous international awards.

    Career

    Sen Sharma made her debut as a child artist in the Bengali film Indira (1983). In 2000, she made her adult debut in the Bengali film Ek Je Aachhe Kanya, in which she played a negative character. It was followed by a role in Rituparno Ghosh’s acclaimed film Titli, opposite Mithun Chakraborty and her mother Aparna Sen.

    In 2001, she starred in the English-language film Mr. and Mrs. Iyer, directed by Aparna Sen. The film performed well mainly in multiplexes and was a major critical success. Sen Sharma’s performance as a Tamil housewife and her mastery of the accent were received well and she was awarded the National Film Award for Best Actress. Her performance was later included in the 2010 issue of the “Top 80 Iconic Performances” by Filmfare.

    This was followed by the National Film Award-winning social film, Page 3 (2005). Her role of a smart journalist drew praise and she became a more familiar face to the movie-going public.

    Sen Sharma was offered the lead role in Mira Nair’s Hollywood film, The Namesake (2007), but owing to clashing dates with other films, she could not commit to the project. However, she followed it with acclaimed performances as a mentally ill woman in 15 Park Avenue (2005) and as a middle age village woman in Omkara (2006). For the latter, she received both the Filmfare Best Supporting Actress Award and the National Film Award for Best Supporting Actress. Her next release Deadline: Sirf 24 Ghante (2006) got average reviews. In 2006, Sen Sharma made her directorial debut with an 18-minute Bengali short film titled Naamkoron (Naming Ceremony) for the Kala Ghoda Film Festival.

    Following this, Sen Sharma acted in Dosar, a Bengali art film by Rituporno Ghosh which was premiered at several international film festivals. She won the Best Actress award at Mahindra Indo-American Arts Council (MIAAC) Film Festival for her performance.

    Her first release of 2007 was her second collaboration with Madhur Bhandarkar, a noir film named Traffic Signal, in which she played a street prostitute. Later that year, she appeared in Anurag Basu’s Life in a… Metro. The film opened to positive reviews and performed well at the Indian box office. Metro depicted the lives of different individuals in Mumbai, and Sen Sharma’s performance as a young and insecure woman earned her a second Filmfare Award.

    In late 2007, Sen Sharma acted in two movies under the Yash Raj Films banner. She noted her excitement toward these two projects as these were the first films in which she had to lip-sync for songs. In the first one, Laaga Chunari Mein Daag, a drama directed by Pradeep Sarkar, she portrayed the character of a Banaras small town young woman, Chutki, alongside Rani Mukerji. The film was a critical and commercial failure in India, even though her performance was received well. The second one was Aaja Nachle, which was widely promoted as the comeback film of Madhuri Dixit. The film did not do well. Rajeev Masand from CNN-IBN noted her performance in the film as being “…nothing short of fantastic. Her greatest strength is that she isn’t afraid of making a fool of herself and she doesn’t worry about being laughed at. As a result, her performance in Aaja Nachle is fearless and uninhibited.”

    In 2008, Sen Sharma starred in Dil Kabaddi. She starred in a short film (How Can It Be?) directed by Mira Nair for a movie project called 8, which was screened at several film festivals in 2008 before having a theatrical release.

    In 2009, she appeared in the low-budget English-language film The President Is Coming, directed by Kunaal Roy Kapur. The film opened to generally positive reviews. Reviews were favorably directed toward her. Nikhat Kazmi from The Times of India wrote, “Performance-wise, it’s the uptight and complex-ridden Ms Konkona who walks away with laurels and laughs even as the film takes a healthy snigger at the desi self.”

    Sen Sharma next starred in Zoya Akhtar’s Luck by Chance, opposite Farhan Akhtar.[20] Upon release, the film met with highly positive reviews from critics, as did her performance, but its financial income was modest. Sen Sharma’s latest 2009 release was Ayan Mukerjee’s romantic comedy Wake Up Sid in which she starred alongside Ranbir Kapoor. Upon release, the film received universally positive reviews, and her performance received rave reviews. Taran Adarsh of Bollywood Hungama wrote, “Konkona is natural to the core and the best part is, she’s so effortless. Here’s another winning performance from this incredible performer.” The New York Times wrote, “Ms. Sharma has made a specialty of characters like Aisha: independent urban women, whose dreams involve careers as well as love. Her Aisha is a nuanced creation — ambitious, sympathetic, believable — and Mr. Mukerji, making his directing debut, is right to let her run away with the film.”

    In 2010, Sen Sharma starred in Ashwani Dheer’s comedy Atithi Tum Kab Jaoge opposite Ajay Devgan and Paresh Rawal. and Neeraj Pathak’s Right Yaa Wrong where she played a lawyer. She has completed shooting for Rituparno Ghosh’s comedy film Sunglass and Vinay Shukla’s Mirch.

    In 2011, Sen Sharma played the leading role in Aparna Sen’s Iti Mrinalini, reportedly a semi-autobiographical film directed by the acclaimed Indian director Aparna Sen, also Konkona’s mother. She will also appear in Amitabh Verma’s Jackpot opposite Ranvir Shorey, in Suman Mukherjee’s adaptation of Shesher Kobita and Goutam Ghose’s Shunyo Awnko.

    In 2013, Sen Sharma starred in Balaji Telefilms’ Ek Thi Daayan, directed by newcomer Kannan Iyer and produced by Vishal Bhardwaj and Ekta Kapoor. The movie also stars Emraan Hashmi, Kalki Koechlin and Huma Qureshi, and the film itself is inspired by the short story written by her father Mukul Sharma.She has also played a lead role in Aparna Sen’s Goynar Baksho.

    In 2015, Sharma starred in the Bengali film Kadombori as Tagore’s sister-in-law and also played Lakshmi Das, the wife of Gour Hari Das – an Odisha freedom fighter who spent 32 years attempting to convince the government of his patriotism. In October, she played a character based on Nupur Talwar in Vishal Bhardwaj’s film Talvar, regarding the 2008 Noida Double Murder case. The film premiered at the Toronto Film Festival to extensive critical acclaim for Sharma and her co-stars Irrfan Khan and Neeraj Kabi, and also became a sleeper hit in India. In the same year she played the role of Nayantara in a short film, Nayantara’s Necklace.

    In 2016, Sharma is working on A.R. Murgadoss’ film entitled Akira, where she will be playing a cop alongside Sonakshi Sinha.

    In 2017 her directorial debut A Death In The Gunj released (2 June 2017), which starred Vikrant Massey and Kalki Koechlin in pivotal roles. The film was critically acclaimed and won her the best director award in the New York Indian film festival and also in the MAMI film festival. In July, her long-awaited Lipstick Under My Burkha released, directed by Alankrita Srivastava. The film garnered positive reviews and did well at the box office too. Her next project, titled Scholarship, alongside Kalki Koechlin is in pre-production.

     Actress and filmmaker Konkona Sen Sharma was #BornOnThisDay. Noted for her graceful and effortless performances, Sen has also directed ‘A Death In The Gunj’ (2017), which received widespread acclaim.

    Television & Web Series

    As filmmaker

    Awards and nominations

  • The Race To Build Statues

    There is a race in the country to build statues. After the 182-metres (597 feet) tall ‘Statue of Unity’ of Sardar Vallabhbhai Patel, Gujarat is set to have another gigantic Buddha statue.

    A Buddhist organisation, Sanghakaya Foundation want to construct a 24-metres (80 feet) high Buddha statue in Gujarat’s Gandhinagar. The organisation demanded the land from the Gujarat government.The sculpture, Ram Sutar, who designed the Statue of Unity is associated with this project.

    Maharashtra Government’s project, the Chhatrapati Shivaji Maharaj Memorial in Arabian sea will start soon. The state Government has said the statue is to be built at a cost of Rs 3800 crores and it would be ready by 2021. The height of the statue is said to be 212-metres (695 feet). The Chhatrapati Shivaji statue would be called Shiv Smarak or Chhatrapati Shivaji Maharaj Memorial once it is complete.

    Also, the Dr BR Ambedkar memorial at Indu Mills in Dadar will be ready in three years, said the state government. The cost of the memorial is Rs 709 crores. The memorial is about 107-metres (350 feet) in height.

    Key Points: During 2004 Assembly elections Congress-NCP had promised to build the Shivaji Statue. However, various reasons such as proper location, environmental clearance and fishermen’s agitation let the project only on papers. In 2014 Shivaji statue in the Arabian sea and Ambedkar memorial at Indu Mills were the two key points in BJP’s election campaign.

     

    States like Karnataka, Andhra Pradesh and Uttar Pradesh have also proposed to build statues one after another. After the inauguration of ‘Statue of Unity’ Karnataka government proposes to build a 38-metres (125 feet) statue of Mother Cauvery. The project will cover the area of around 400 acers and the cost is around Rs 1200 crores. It is likely to start within the next couple of months.

    Andhra Pradesh Chief Minister N Chandrababu Naidu seems in competition with the Gujarat Government directly. He proposed the Andhra Pradesh Assembly building of 250-metres to be build in Amaravati. It is 68 metres taller than ‘the Statue of Unity.’ The design is almost finalised, designed by Foster & Partners in the United Kingdom. The government will call for a tender by end of November for the construction of the building.

    Yogi Adityanath, Chief Minister of Uttar Pradesh on November 25 cleared a 221-metre tall Ram statue in Ayodhya. The actual height of the statue will 151 metres, its overhead umbrella would be 20 metres and the pedestal would be 50 metres. It would be taller than the world’s tallest statue ‘Statue of Unity.’ However, the cost and the location are not yet disclosed by the UP government.

    The race is on and it would be interesting to see if any other state in India will join “THE RACE TO BUILD STATUES.”

    (The writer is a journalism student based in Mumbai and a die hard fan of Mahendra Singh Dhoni)

    ( The views expressed are the author’s own.The POST neither endorses nor is responsible for them.)

  • IND vs AUS 3rd T20I : Pandya’s 4 Wicket Haul and Kohli’s Chase Draw the Series 1-1

    Sydney : 

    Left arm spinner Krunal Pandya’s 4 wicket haul and Indian Captain Virat Kohli’s 61* (41) helped India level the 3 match T20I series 1-1.

    Earlier Australian captain Aaron Finch won the toss and surprised one and all by electing to bat first. Australia had a brilliant start. D’Arcy Short and Aaron Finch stitched together a partnership of 68 before wrist spinner Kuldeep Yadav got Finch. He made 28 (23).

    Immediately in the next over, Krunal Pandya struck twice on consecutive balls getting rid of D’Arcy Short and Ben McDermott leg before wicket. Short made 33 (29).

    Maxwell couldn’t get going. He made 13 (16) before Rohit Sharma caught him off Pandya. Alex Carry was looking good with some exquisite drives but Pandya got him as well. He made 27 (19). Pandya now has the best figures by a spinner in Australia.

    Nathan Coulter-Nile and Marcus Stoinis batted well in the death overs giving themselves a respectable total to defend. Stoins made 25 (15). Australia finished at 164/6 in their 20 overs.

    India had to win the match to tie the series and Indian openers Shikhar Dhawan and Rohit Sharma gave the right start. Dhawan made 41 (22) with 6 fours and 2 sixes while Sharma made 22 (16) including a four and 2 sixes.

    KL Rahul looked good for his 14. Pant couldn’t get off the mark. At the end it was all upto the chase master Virat Kohli and Dinesh Karthik to cross the finish line. Kohli made 61* (41). He smashed 4 fours and 2 sixes.He completed his 19th half century, the most by any player in the world.

     

    Karthik made 22* (18) and India chased down the total with 6 wickets and 2 balls remaining and level the 3 match T20 series 1-1. 

    Krunal Pandya received the Player of the match and Shikhar Dhawan the Player of the series award.

     

  • Stalwart screenwriter Salim Khan was Born On This Day

    Stalwart screenwriter Salim Khan was #BornOnThisDay. One half of the famed screenwriting duo Salim-Javed, they are known for their substantial scenarios and striking dialogue, the pair wrote the screenplays for some of the most popular Hindi films of the 1970s, #Zanjeer # Deewaar #Sholay. Salim Khan also had a stint in acting before becoming a screenwriter, most notably in Professor and Teesri Manzil.

    Salim Khan (born 24 November 1935) is an Indian film actor, producer and screenwriter. As a screenwriter, he wrote the screenplays, stories and scripts for numerous Bollywood films. In Hindi cinema, Khan is best known for being one half of the prolific screenwriting duo of Salim-Javed, along with Javed Akhtar. The duo Salim-Javed were the first Indian screenwriters to achieve star status,  becoming the most successful Indian screenwriters of all time,  and are regarded as “Hindi cinema’s greatest screenwriters”. While working together, Salim Khan was largely responsible for developing the stories and characters, while Javed Akhtar was largely responsible for developing the dialogues.

    Salim-Javed revolutionized Indian cinema in the 1970s,  transforming and reinventing the Bollywood formula, pioneering the Bollywood blockbuster format,[3] and pioneering genres such as the masala film and the Dacoit Western. Salim Khan was also responsible for creating the “angry young man” character archetype and launching Amitabh Bachchan’s career. Their films are among the highest-grossing Indian films of all time, including Sholay (1975), the highest-grossing Indian film ever at the time, as well as films such as Seeta Aur Geeta (1972), Zanjeer (1973), Deewaar (1975), Kranti (1981), and the Don franchise. Sholay is also considered to be one of the greatest Indian films of all time.

    Khan is also known as the founder of the Salim Khan family, as the father of three Bollywood actors, Salman Khan (one of the big three Khans of Bollywood), Sohail Khan, and Arbaaz Khan, and film producer Alvira Khan Agnihotri. He is married to Sushila Charak (a.k.a. Salma Khan) and to actress Helen Richardson Khan. Salim Khan won six Filmfare Awards as part of Salim-Javed, and he was later awarded the Padma Shri in 2014.

    Filmography

    Actor

    • Baraat (1960)
    • Police Detective (1960)
    • Ramu Dada (1961)
    • Professor (1962)
    • Kabli Khan (1963)
    • Bachpan (1963)
    • Darasingh: Ironman (1964)
    • Aandhi Aur Toofan (1964)
    • Raaka (1965)
    • Sarhadi Lutera (1966)
    • Teesri Manzil (1966)
    • Sarhaadi Lootera (1966)
    • Diwaana (1967)
    • Chhaila Babu (1967)
    • Lahu Pukarega (1968)
    • Wafadar (1977)

    Screenwriter (solo)

    • Do Bhai (1969)
    • Naam (1986)
    • Angaaray (1986)
    • Kabzaa (1988)
    • Toofan (1989)
    • Jurm (1990)
    • Akayla (1991)
    • Mast Kalandar (1991)
    • Patthar Ke Phool (1991)
    • Aa Gale Lag Jaa (1994)
    • Majhdhaar (1996)
    • Dil Tera Diwana (1996)

    Screenwriter (Salim-Javed)[edit]

    Year Film Language Director Cast
    1971 Andaz Hindi-Urdu[28] Ramesh Sippy Rajesh Khanna, Hema Malini, Shammi Kapoor, Simi Garewal
    1971 Adhikar Hindi-Urdu S.M. Sagar Ashok Kumar, Nanda, Deb Mukherjee
    1971 Haathi Mere Saathi Hindi-Urdu M. A. Thirumugham Rajesh Khanna, Tanuja
    1972 Seeta Aur Geeta Hindi-Urdu Ramesh Sippy Hema Malini, Dharmendra, Sanjeev Kumar
    1973 Yaadon Ki Baaraat Hindi-Urdu Nasir Hussain Dharmendra, Vijay Arora, Tariq Khan
    1973 Zanjeer Hindi-Urdu Prakash Mehra Amitabh Bachchan, Jaya Bhaduri, Pran
    1974 Majboor Hindi-Urdu Ravi Tandon Amitabh Bachchan, Parveen Babi, Pran
    1974 Haath Ki Safai Hindi-Urdu Prakash Mehra Randhir Kapoor, Vinod Khanna, Hema Malini, Simi Garewal, Ranjeet
    1975 Deewaar Hindi-Urdu Yash Chopra Amitabh Bachchan, Shashi Kapoor, Parveen Babi, Neetu Singh
    1975 Sholay Hindi-Urdu Ramesh Sippy Dharmendra, Amitabh Bachchan, Sanjeev Kumar, Hema Malini, Jaya Bhaduri
    1975 Aakhri Dao Hindi-Urdu A. Salaam Jeetendra, Saira Banu, Danny Denzongpa
    1976 Premada Kanike Kannada V. Somashekhar Rajkumar, Aarathi
    1976 Raja Nanna Raja Kannada A. V. Seshagiri Rao Rajkumar, Aarathi
    1977 Immaan Dharam Hindi-Urdu Desh Mukherjee Amitabh Bachchan, Shashi Kapoor, Sanjeev Kumar, Rekha
    1977 Chacha Bhatija Hindi-Urdu Manmohan Desai Dharmendra, Randhir Kapoor, Hema Malini
    1978 Trishul Hindi-Urdu Yash Chopra Amitabh Bachchan, Sanjeev Kumar, Shashi Kapoor, Hema Malini
    1978 Don Hindi-Urdu Chandra Barot Amitabh Bachchan, Helen, Zeenat Aman
    1979 Kaala Patthar Hindi-Urdu Yash Chopra Amitabh Bachchan
    1980 Dostana Hindi-Urdu Raj Khosla Amitabh Bachchan, Shatrughan Sinha, Zeenat Aman, Helen
    1980 Shaan Hindi-Urdu Ramesh Sippy Amitabh Bachchan, Sunil Dutt, Shatrughan Sinha, Shashi Kapoor, Rakhee Gulzar, Parveen Babi
    1981 Kranti Hindi-Urdu Manoj Kumar Dilip Kumar, Shashi Kapoor, Shatrughan Sinha, Hema Malini, Parveen Babi
    1982 Shakti Hindi-Urdu Ramesh Sippy Dilip Kumar, Amitabh Bachchan, Raakhee, Anil Kapoor
    1985 Zamana Hindi-Urdu Ramesh Talwar Rajesh Khanna, Rishi Kapoor, Poonam Dhillon, Ranjeeta Kaur
    1987 Mr. India Hindi-Urdu Shekhar Kapur Anil Kapoor, Sridevi, Amrish Puri
    2003 Baghban Hindi-Urdu Ravi Chopra Amitabh Bachchan, Salman Khan, Hema Malini

    Awards

    Filmfare Awards

    Filmfare Awards
    Year Category Film
    1983 Best Screenplay Shakti (1982)
    1976 Best Dialogue Deewaar (1975)
    Best Screenplay
    Best Story
    1974 Best Screenplay Zanjeer (1973)
    Best Story
  • Beloved actor-filmmaker, icon of middle class cinema Amol Palekar was Born On This Day

    Beloved actor-filmmaker, icon of middle class cinema Amol Palekar was #BornOnThisDay. Known for playing gentle, mild-mannered protagonists on screen, he gave memorable performances in light-hearted, slice-of-life comedies. He embodied a certain type of tender, playful hero that was a whiff of fresh air.

    He studied fine arts at the Sir JJ School of Arts, Mumbai, and commenced his artistic career as a painter. As a painter, he had seven one-man exhibitions and participated in many group shows. He has been active in the avant garde theatre in India. He has been active in Marathi and Hindi theatre as an actor, director and producer since 1967. His contribution to the modern Indian theatre is often overshadowed by his popularity as a lead actor in Hindi films.

    As an actor, he was most prominent for over a decade from 1970. His image as a “boy next door” contrasted with the larger-than-life heroes prevalent at that time in Indian cinema. He received one Filmfare and six State awards as Best Actor. His performances in regional language films in Marathi, Bengali, Malayalam and Kannada fetched him critical acclaim as well. He decided not to act after 1986 in order to concentrate on filmmaking.

    As a director, he is known for the sensitive portrayal of women, selection of classic stories from Indian literature, and perceptive handling of progressive issues. He has directed several television serials on the national network such as Kachchi Dhoop, Mrignayani, Naquab, Paool Khuna and Krishna Kali.

    Personal life

    Amol Palekar was born to Kamlakar and Suhasini Palekar in a lower-middle-class family in Mumbai. He was raised along with his three sisters, Neelon, Rekha and Unnati, by his father who worked in the General Post Office and his mother who worked in a private company.[9] He worked at the Bank of India before he switched full-time to a career in acting. He also does some social work. He married Sandhya Gokhale after his divorce from his first wife, Chitra.[10][11][2] Palekar regards himself as an agnostic atheist.

    Filmography

    As an actor

    Year Film Character/role Notes
    1969 Bajiraocha Beta Marathi film
    1971 Shantata! Court Chalu Aahe Marathi film
    1974 Rajnigandha Sanjay
    1975 Jeevana Jyoti Sanjay Telugu film
    1976 Chhoti Si Baat Arun Pradeep
    1976 Chitchor Vinod
    1977 Gharonda Sudip
    1977 Bhumika Keshav Dalvi
    1977 Agar… If Anil Aggarwal
    1977 Taxi Taxie Dev/Hero
    1977 Tuch Maazi Raani Marathi film
    1977 Kanneshwara Rama Chenira Kannada film (short film)
    1978 Damaad
    1978 Safed Jhoot Amol ‘Ramu’ Palekar
    1979 Baaton Baaton Mein Tony Braganza
    1979 Gol Maal Ram Prasad Sharma/
    Lakshman Prasad Sharma (Lucky)
    Filmfare Award for Best Actor
    1979 Do Ladke Dono Kadke Hari
    1979 Meri Biwi Ki Shaadi Bhagwant Kumar Bartendu “Bhagu”
    1979 Solva Sawan
    1979 Bin Baap Ka Beta
    1979 Mother 1979 film Marathi film
    1979 Jeena Yahan Dinesh
    1980 Aanchal Kishan Lal
    1980 Apne Paraye Chandranath
    1981 Naram Garam Ram Eshwar Prasad
    1981 Sameera
    1981 Akriet Mukutrao Shinde Marathi film
    1981 Kalankini Bengali film
    1981 Agni Pareeksha Alok Choudhary / Ramesh Khanna
    1981 Chehre Pe Chehra Peter
    1981 Plot No. 5
    1982 Jeevan Dhaara Anand Bhatnagar
    1982 Olangal Ravi Chattan Malayalam film
    1982 Ramnagari
    1982 Spandan
    1982 Shriman Shrimati Madhu Gupta
    1983 Rang Birangi Ajay Sharma
    1983 Ashray
    1983 Pyaasi Aankhen
    1983 Chena Achena Bengali film
    1984 Tarang Rahul
    1984 Aadmi Aur Aurat Tapan Sinha TV Movie
    1984 Prarthana
    1984 Sringara Masa Kannada film
    1984 Mr. X Amar Voice dubbed by other artist
    1985 Khamosh Amol Palekar
    1985 Jhoothi Inspector Kamal Nath
    1985 Ankahee (1985 film) Devkinandan Chaturvedi ‘Nandu’
    1985 Abasheshe Bengali film
    1986 Baat Ban Jaye Yeshwant Rao Bhonsle
    1994 Teesra Kaun? C. K. Kadam
    2001 Aks The Defence Minister
    2009 Samaantar Keshav Vaze Marathi film

    As a director

    • Aakreit (Unimaginable in Marathi) – 1981
    • Ankahee (Unspoken) – 1985
    • Thodasa Rumani Ho Jaye – 1990
    • Bangarwadi – 1995
    • Daayraa (The Square Circle) – 1996
    • Anahat (Forever)
    • Kairee (Raw mango) – 2001
    • Dhyaas Parva (Kal Kaa Aadmi in Hindi) – 2001 (based on Raghunath Karve’s life, won the National Award for Best Film on Family Welfare)[13]
    • Paheli (Riddle) – 2005 (India’s official entry to the 78th Academy Awards for Best Foreign Language Film)
    • Quest (English) – 2006 (won the National Film Award for Best Feature Film in English)
    • Dumkata (2007)
    • Samaantar (Marathi) – 2009
    • …And Once Again – 2010
    • Dhoosar (Marathi) – 2011 (won the Maharashtra State Film Award)

    Feature films in other regional languages[edit]

    • Mother (Bengali) (with Sharmila Tagore & Dipankar Dey)
    • Kalankini (Bengali) (with Mamata Shankar – directed by Dhiren Ganguly)
    • Chena Achena (Bengali) (with Tanuja & Soumitra Chaterjee)
    • Kanneshwara Rama (Kannada) (with Anant Nag & Shabana Aazmi – directed by M.S. Sathyu)
    • Paper Boats (Kannada & English) (with Deepa – directed by Pattabhirama Reddy)
    • Olangal (Malayalam) (with Poornima Jyaram & Ambika – directed by Balu Mahendra)

    TV serials[edit]

    • Kachchi Dhoop – 1987
    • Naqab – 1988
    • Paoolkhuna – 1993
    • Mrignayanee – 1991
    • Kareena Kareena – 2004
    • AA Bail Mujhe Maar – 1987
    • Ek Nayi Ummeed-Roshni – 2015

    Awards[edit]

    Award Film Year Status
    National Film Awards
    Best Feature Film in Marathi Bangarwadi 1995 Won
    Special Jury Award (Feature Film) Daayraa 1996 Won
    Best Film on Other Social Issues Kairee 1999 Won
    Best Film on Family Welfare Dhyaas Parva 2000 Won
    Best Feature Film in English Quest 2006 Won
    Filmfare Award
    Best Actor Chhoti Si Baat 1977 Nominated
    Gol Maal 1980 Won
    Filmfare Marathi Awards
    Best Actor Akriet 1981 Won

     

  • IND vs AUS 2nd T20I : Rain Gods Plays Spoil Sport For India

    MCG, Melbourne : 

    An Indian win looked very much in sight in the 2nd T20I against Australia at the Melbourne Cricket ground but the rain gods played spoil sport and the match had to be abandoned due to rain.

    Earlier, Indian captain Virat Kohli won the toss and elected to bowl first. Bhuvaneshwar Kumar proved his captain’s decision right by getting an edge of the Australian captain Aaron Finch in the first over.

     

    The youngster Khaleed Ahmed got the dangerous Chris Lynn and D Arcy Short in consecutive overs. Lynn made 13 (13) and Short  made 14 (15).

    Krunal Pandya who was hammered in the previous game got the prized wicket of Glenn Maxwell.

    Stoins (4), Carey (4) couldn’t contribute much to the Australian total, Bumrah and Kuldeep got the wickets respectively. Bhuvaneshwar Kumar got the wicket of Nathan Coulter-Nile who was hitting the ball a long distance. He made 18 (9) with 2 massive sixes.

    Ben McDermott (32) and Andrew Tye (12) remained unbeaten when rain started to pour. Australia made 132/7 in 19 overs. 

    According to the DL method, India needed 137 in 19 overs. Later the match was reduced to 11 overs and India needed 90 and the match was again reduced to 5 overs with India needing 46 runs.

    But finally the match was called off due to rain. Australia retains 1-0 lead in the 3 match series. India have to win the 3rd T20I at Adelaide on Sunday to draw the series on Sunday.

     

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